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Stomp the Yard |

Directed by : Sylvain White
Writing credits (WGA) : Robert Adetuyi (screenplay) , Gregory
Ramon Anderson (earlier screenplay)
Cast : Columbus Short as DJ , Meagan Good as April , Ne-Yo as
Rich Brown , Darrin Dewitt Henson as Grant (as Darrin Henson) ,
Brian J. White as Sylvester
Review: In
film, nothing signifies snobbery faster than sticking a character
with a Greek fraternity or sorority pin. "Stomp the Yard" will have
none of it. The movie reveres the storied African-American
fraternity/sorority tradition, and it takes great pains to mention
everyone from Martin Luther King Jr. to Esther "Good Times" Rolle as
part of this legacy.
There's another tradition at play in "Stomp the Yard": the college
musical. Along with Spike Lee's "School Daze," the film bears more
than a passing resemblance to the 1947 version of "Good News." Sixty
years ago June Allyson offered French lessons to Peter Lawford, the
least likely football hero in the annals of sport. "Stomp the Yard"
finds Meagan Good tutoring the street-dancing hero in the subject of
history, though those lips/those eyes keep getting in the way.
An L.A.-to-Atlanta transplant with a secret, DJ (Columbus Short)
first spies April (Good) in I'm-in-love-slow-mo at a drinking
fountain during freshman registration. The fictional Truth
University is ruled by the highly competitive world of stepping,
wherein movement and rhythm drills combine gumboot-style African
dance vocabulary with contemporary flourishes. Hip-hop ace DJ
doesn't like the step nonsense. He's more "ghetto," and has a dead
brother to prove it. (Early on he's killed in an L.A. railyard
rumble with rival hip-hop dancers.)
The lure of the fraternity universe proves too much, and DJ joins up
with Theta Nu Theta. Their chief step competition is Mu Gamma Xi,
whose leader (Darrin Henson) is also DJ's rival in love. "Are we
doing a step show or are we doing a rap video?" wonders one of DJ's
conservative Greek brothers, thrown by the new guy's moves. Like the
"Breakin'." films of the 1980s and the deathless lambada movies,
"Stomp the Yard" is determined to mainstream its dance sub genre.
The script by Robert Adetuyi was based on a script by Gregory
Anderson, according to the film's unusual credits. This explains why
"Stomp the Yard" contains 200 percent of your daily requirement of
cliche.
In the dance scenes director Sylvain White keeps cutting everybody
off at the waist, and editor David Checel is so into speed and
dazzle the sequences keep getting cut into tiny little bits. Yet the
visual noise is offset by the people on screen. Short and Good are
long on charm, and DJ's uncle and aunt are played by Harry J. Lennix
(always a pleasure) and Valarie Pettiford (a Fosse dance veteran
herself).
The results are corny beyond measure. Yet there's something sweet
about them, in part because there's something sweet about hearing
the line "Congratulations! Why didn't you tell me you pledged?"
outside the realm of comedy.
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