Sringaram Movie Review starred by Aditi Rao, Manoj K. Jayan , Hamsa Moily stills pictures gallery wallpapers showtimes

Language: TAMIL
Cast: Aditi Rao Hydari as Madhura , Manoj K. Jayan as Sukumar, The Mirasu , Hamsa Moily as Kama , Shashikumar as Kasi , Manju Bhargavi as Ponammal , Y.Gee Mahendra as the Gurukkal , Aishwarya as Mirasu’s wife , Kaliamamani Vaigai Chandrashekar as Kangani , Bharat Kalyan as Manisundaram , Sindhu as Saroja , Junior Baliah as Koilpillai , Lakshmi Ravi as Ambujam

Director : Sharada Ramanathan
Music : Padma Bhushan Lalgudi G. Jayaraman
Cinematography : Madhu Ambat
Art direction : Thota Tharani
Choreography : Saroj Khan
Costumes : Rukmini Krishnan
Editing : Sreekar Prasad
Sound design : Lakshminarayanan

Sringaram – Dance of Love was an ordained eventuality.. In retrospect, all revelations indeed happen in a flash! Atleast that is what happened to me when I was driving down with a friend on the exotic Pondicherry-Chennai highway. We were returning from a seminar on “feminism”. The more I thought about it, the more it seemed as if 21^st century feminism was becoming a serious, intellectual import from the west. As long as crimes like rape are rampant, the serious part is central to feminism.  But to me, feminism could also be an emotional, romantic and aesthetic experience. I was also irked by the fact that buzzwords like affirmative action and conflict resolution that were being touted as some kind of concepts out there, when actually; they were organic dimensions of people and human emotions.  And of course, economists, political scientists and sociologists mostly don’t have the time for soft-pedals like culture and art. And cinema has largely toed that line.

With all this baggage, I did, in that flash of a moment, decide to find a vent to those images of feminists, peace-makers, who came to haunt me. They were the singers, dancers, writers of yore. Their feminism was in their art, their peace was in their spirit. Culture, to them, was an extension of nature.

It has been a struggle all the way round, financially, emotionally and creatively. But Sringaram is an example of how simply a good idea could make the creative cream of cinema rally around it.

Sringaram has many firsts: it is my first film as a Director, a first for Aditi and Hamsa, a first for Saroj Khan in this genre, and a first for Indira Soundararajan with screenplay, a first for Lalgudi Jayaraman who honoured me by choosing Sringaram, over hundreds of other offers, as his first film experience.  

 

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